Overview
The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
Frequently Asked Questions & Story Details
Who directed We Want Roses Too?
We Want Roses Too was directed by Alina Marazzi.
Where was We Want Roses Too produced?
It was produced by companies including Mir Cinematografica, RAI Cinema, RSI, Ventura Film in Italy.
We Want Roses Too Ending Explained & Trivia
The ending of We Want Roses Too wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
Ready to watch?
Stream We Want Roses Too right now — no waiting.
Production
