
Overview
In Italy, in Mantua and its surroundings, in the 16th century. Although newly in love, the Duke of Mantua extols infidelity. His court jester, Rigoletto, mocks the elderly Monterone, who has come to demand the return of his daughter, whom the Duke has seduced. Monterone casts a curse on Rigoletto. The hitman Sparafucile offers his services to the jester, as a man is lurking around the young woman he is protecting. Rigoletto reflects on his dual role as jester and tormented father, for this young woman—whom the courtiers believe he is hiding a romantic affair with—is in fact his own daughter, Gilda. “Rigoletto” is an Italian opera in three acts and four scenes by Giuseppe Verdi, with a libretto by Francesco Maria Piave, based on Victor Hugo’s 1832 play “Le roi s’amuse.” It premiered on March 11, 1851, at the Teatro La Fenice in Venice. From the “Tutto Verdi” box set of 27 Verdi operas. Recorded live at the Teatro Regio in Parma on October 16, 20, and 22, 2008.
Frequently Asked Questions & Story Details
Who directed Verdi: Rigoletto (Teatro Regio di Parma)?
Verdi: Rigoletto (Teatro Regio di Parma) was directed by Andrea BevilacquaStefano Vizioli.
Where was Verdi: Rigoletto (Teatro Regio di Parma) produced?
It was produced by companies including C major in Italy.
Verdi: Rigoletto (Teatro Regio di Parma) Ending Explained & Trivia
The ending of Verdi: Rigoletto (Teatro Regio di Parma) wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
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