Overview
Resonating Surfaces is triple portrait, of a city, a woman and an attitude to life. For the personal story of Suely Rolnik, who is a Brazilian psychoanalyst currently living in São Paulo, involves the Brazilian dictatorship of the sixties as well as the Parisian intellectual climate surrounding Deleuze and Guattari in the seventies. The film is woven through by different themes: the other and the relation to otherness, the connection between body and power, the voice and, ultimately, the micropolitics of desire and of resistance.
Frequently Asked Questions & Story Details
Who directed Resonating Surfaces?
Resonating Surfaces was directed by Manon de Boer.
Where was Resonating Surfaces produced?
It was produced by companies including LUCA School of Arts, Blitz vzw, Le Fresnoy, Auguste Orts in Belgium, Brazil, France.
Resonating Surfaces Ending Explained & Trivia
The ending of Resonating Surfaces wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
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Production
