HD10m1973enReleased

Juke and Opal

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Overview

“WINTER, 1973. Late afternoon: the entr'acte between dusk and darkness, when the people who conduct their business in the street -- numbers runners in gray chesterfields, out-of-work barmaids playing the dozens, adolescents cultivating their cigarette jones and lust, small-time hustlers selling ‘authentic’ gold wristwatches that are platinum bright---look for a place to roost and to drink in the day's sin. Young black guy, looks like the comedian Richard Pryor, walks into one of his hangouts, Opal's Silver Spoon Café. A greasy dive with a R & B jukebox, it could be in Detroit or in New York, could be anywhere. Opal's has a proprietor -- Opal, a young and wise black woman, who looks like the comedian Lily Tomlin -- and a little bell over the door that goes tink-a-link, announcing all the handouts and gimmes who come to sit at Opal's counter and talk about how needy their respective asses are.” — Hilton Als

Frequently Asked Questions & Story Details

Who directed Juke and Opal?

Juke and Opal was directed by Bill Davis.

Where was Juke and Opal produced?

It was produced by companies including Unknown Production Companies in Unknown Countries.

Juke and Opal Ending Explained & Trivia

The ending of Juke and Opal wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.

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